documentary

The Scent of Fear

If fear has a scent, what does it smell like?

The Scent of Fear takes you on a first-hand journey across the globe with those that enjoy fear and those paralyzed by it. Stories that include a woman alone on a survival quest in the arctic, to communities who make their homes in bomb-proof, sunless bunkers to a young man in South-Korea so afraid of being a failure that he takes part in a “Happy Dying” seminar. Along for the ride are leading experts in neural science, psychology, political sciences and more, providing the insight of fear lovers and fear mongers and showing us that as a society we are surrounded and exploited by fear-driven messaging in our politics and consumerism. With exhilarating characters and intellectual scholars, The Scent of Fear analyzes the universal question of why fear causes so much fear.

Synopsis

If fear has a scent, what does it smell like?

The Scent of Fear takes you on a first-hand journey across the globe with those that enjoy fear and those paralyzed by it. Stories that include a woman alone on a survival quest in the arctic, to communities who make their homes in bomb-proof, sunless bunkers to a young man in South-Korea so afraid of being a failure that he takes part in a “Happy Dying” seminar. Along for the ride are leading experts in neural science, psychology, political sciences and more, providing the insight of fear lovers and fear mongers and showing us that as a society we are surrounded and exploited by fear-driven messaging in our politics and consumerism. With exhilarating characters and intellectual scholars, The Scent of Fear analyzes the universal question of why fear causes so much fear.

Crew

Mirjam von Arx

Director, Producer, Author
Mirjam von Arx

Mirjam von Arx studied journalism and worked for close to two decades as a writer for various magazines. In 1991, she moved to New York and started directing her first films. She founded ican films in 2002, through which she has produced several award-winning theatrical documentaries, including VIRGIN TALES, winner of the Zurich Film Prize 2012 and finalist of the Maysles Brothers Award 2012, and THE SCENT OF FEAR (2022) which is narrated by Katja Riemann and Oscar nominee Sophie Okonedo and won the Migros Culture Percentage Swiss Documentary film competition. Her latest film HOME IS THE OCEAN (2024, directed by Livia Vonaesch) had its world premiere at the Int. Documentary Competition of the 20th Zurich Film Festival 2024.

Mirjam von Arx is a member of the European Film Academy and the Swiss Film Academy.

Elia Lyssy

Camera

Elia Lyssy was introduced to the world of camera, lights and action at an early age due to his father being a director. Being able to hang around the sets and experiencing the camaraderie, craftsmanship and creation of a film he knew early on that he had found his world. After graduating from NYU’s Tisch School of the Arts in 1991, he started working in New York as an assistant and soon was able to join many an interesting film as cinematographer. He had the privilege to work on projects that have brought him all over the world, filming throughout the United States, in South America, Africa, Europe, Asia and New Zealand. He works in numerous formats ranging from HD to 35mm and speaks several languages. Elia Lyssy truly enjoys the collaborative aspects of film making and is always looking forward to embark on new and exciting ventures in the documentary and narrative field.

Stéphane Kuthy

Camera

Stéphane Kuthy wurde 1968 in Paris geboren. Nach seinem Filmstudium an der ECAL in Lausanne war er als Kameraassistent tätig. Als Kameramann hat er ein Dutzend Kinofilme, darunter “Die Herbstzeitlosen” und “Tannöd” von Bettina Oberli, “Jeune Homme” von Christoph Schaub und “Töte Mich” von Emily Atef sowie mehrere Fernsehfilme gedreht. Dazu hat er rund zwanzig Dokumentarfilme fotografiert, wie “Die Frau mit den 5 Elefanten” von Vadim Jendreyko oder “The Guantanamo Trap” von Thomas Wallner. Er doziert regelmässig an Filmschulen. Stéphane Kuthy lebt in Zürich mit seiner Familie.

Weitere Infos und Filmografie: www.stephanekuthy.com

Daniel Cherbuin

Editor

Daniel Cherbuin learned audio-video electronics ab initio. At the beginnings of commercial television he was the creative force of Sputnik-TV, an innovative and experimental channel emerging from Zurich’s underground techno scene. Cherbuin has been converting music into clips and visuals in ingenious ways for numerous bands, namely Yello and Division Kent. Various collaborations with Thomas Haemmerli, for art and experimental films and even one cine-film. For umpteen years Cherbuin has been staging the intersection of alternative art spaces and underground parties with his video installations. In doing so Cherbuin’s oeuvres impress with highly innovative montages, idiosyncratic alliances of images, as well as an anarchic tenor: with irony, and pastiche Cherbuin is mocking the blasé in commerce and culture and smoothes the sublimes and ponderous of the art system away.

Adrian Frutiger

Original Score

Born 1971. Studied Set Decoration at the Zurich University of the Arts. Since 1991, Frutiger has composed soundtracks for numerous theatrical and TV productions; in addition he has contributed music to various music concepts, shows, animations and postproduction. He has been honored with 6 Awards for his film compositions.

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